This noir storyboard shows, in several interations, Tito emerging from the subway while ‘lookin for somebody’. Gary can be seen in the lower left corner cowering in fear. Unsure who that clown in the upper left us. A polished version of this design can be seen here.
A noir drawing of Tito escaping a Department of Records building in the west. Judging by the sign in the background this building is on both sides is the border or acts as a border crossing for the west. A finished version of this drawing can be seen here.
Gary Masalam drives his low rider by Moe’s and hits Trash Can Man. He misidentifies the incident as a anti-communist blockade and the finishes his exclamation with “down wit chu all!”. That’s ‘down with you all’ for those keeping score at home.
The furnishings in the corner are bleak. A large empty wire spool for a table and a single lightbulb hanging by a wire. The corner has a record player and very few records. The only confirmed record (7″) is Down on the Corner by Creedence Clearwater Revival. This song is the unofficial anthem of ‘da Corner’.
The blue line drawing is the first drawing of the communist Corner. Or “da Corner” for short. This drawing predates Voltz and Gary as we now know him. It was only natural for Gary to reside there and a shoe in for Voltz lore. This drawing could also be considered a pre Disco Boys reference with the ‘Disco Hole’.
Tito views Commercial Row from atop the Imperialtron Club in the East. This is one of the few drawings depicting the west in any detail. A finished version can be seen here.
W.Y.S.I.W.Y.G. (or WYSIWYG). is a Punk/Ska band in voltz. They follow a classic look of always wearing white suits. They destroy their instruments every show. The drawing on the left, shows Gary Masalam trying to pass a note to a guitarist. The band appears in the First Voltz Drawing and the Second Voltz Drawing.
Trash Can Man existed before Voltz and was incorporated as Voltz developed. He is here in his refined form. Can Number: 105682. Alias: Mr I’ll take your kicks.
This mixed media piece is stencils and various papers on canvas utilizing wheat paste. Overlayed with airbrush, spray-paint and paint pens. Most voltz work is not a crossover with anything but this is the exception. Tito can be seen with a switchblade raised and his right ring finger raised indicating for the viewer to ‘Go To Wayne’. Gary can be seen on the right raising a fist from behind the safety of a wall. Tito’s caption bubble is left empty by design so that the viewer may interpret the message for themselves.